How the Amazon Web Services Outage Affected Everything

Source: Amazon

Amazon experienced a cloud computing outage on Tuesday that showed the world just how much it relies on Amazon and its services.

According to CNBC, the outage started around 11 a.m. EST and lasted until 6:30 p.m. Amazon Web Services’ status page stated that it was having issues primarily in its main US-East-1 region.

While the general public may not know much about what the AWS cloud-computing system does or about its existence at all, many users still felt the effects of the outage when trying to use some of their favorite websites or apps.

AWS is a host for institutions such as universities, governments, and companies, according to the Associated Press. When the hosting system goes down, its entities follow suit.

Users had trouble streaming when using Amazon Prime, Disney+, or Netflix. Work and academic performance were affected by the outage of Slack and Canvas. Users could not even access finance-based apps like Coinbase or Robinhood.

The outage disrupted the company’s retail operations as well, as warehouse and delivery workers were unable to scan or deliver packages. Workers were instructed to just wait until services were up and running again. This was unfortunate timing with the holiday season in full-swing.

In the midst of the outage, users took to social media to express their concerns, commentary, and frustration.

Some took this opportunity to criticize the amount of companies and institutions Amazon has a monopoly over.

Seeing how many daily operations were affected by just an hours-long shortage puts into perspective how much the world, more specifically the United States, relies on Amazon. It really poses the question of what would happen if the outage lasted days or weeks instead of a few hours. Or more hypothetically, what would happen if Amazon shut down for good?

With these questions in mind, the more important notion to ponder is: what should be considered a monopoly?

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Petition Surpasses 60,000 Signatures for Ban of James Corden in ‘Wicked’ Movie

James Corden is known for many things, but what’s most memorable is his outgoing television personality. The Late Late Show with James Corden airs weeknights from 12:37am/11:37 pm c. According to CBS, the Late Late Show is the “ultimate late night party”. With a mix of celebrity guests, performances, comedy segments and games, Corden’s sure to keep you entertained. He’s also known for his popular carpool segment that features him driving in downtown LA with celebrities. He sings a variety of songs with his guests as they talk about their career accomplishments and upcoming business their fans should look out for.

Corden is also seen in Disney’s ‘Into The Woods’ (2014) alongside actors like Anna Kendrick, Meryl Streep, and Johnny Depp. The film got a 71% on Rotten Tomatoes and generated $212.90 million in gross revenue. Corden played the Baker in this film who wishes to break a spell given to his family by a witch. Corden is also featured in ‘Cats’ directed by Tom Hooper. ‘Cats’ was a star studded with actors like Taylor Swift, Jennifer Hudson, Idris Elba, Jason Derulo, etc. Although the star filled cast grew the films anticipation for its debut, the film received horrible reviews. It earned a 20% on rotten tomatoes and 2.7 on IMDb, making people scratch their heads at how this could be. Critics believed the film to be a disaster because of its overuse of CGI and wandering script. Many fans believed it to be straight up “bizarre” and “creepy”, despite its musical/fantasy approach. James Corden can also be found in Amazon Prime Video’s Cinderella and The Prom on Netflix. But James Corden has not been a fan favorite as it pertains to Broadway musicals.

 On November 16th, 2020 Ariana Grande was chosen to sing ‘The Wizard And I’ for the 15th Anniversary of Wicked. Grande is best known for her singing, songwriting, and acting abilities. Her recent albums like Positions, Dangerous Woman, and Sweetener can be found on Apple Music, Spotify, and iHeart radio. Cynthia Erivo best known for her acting, singing, and songwriting abilities were nominated for various awards: Golden Globes, Daytime Emmy Award, Primetime Emmy Award, Grammy, etc. She can be seen in ‘Harriet’ (2019), ‘Widows’ (2018), Boss Baby: Back In Business (2018), etc. With Corden having close ties with the Broadway community, this appeared to be surprising to some of his fans. This stems from his bad history with musical adaptations and a decrease in his popularity. Musical critics believe Corden isn’t talented enough to handle any role in Wicked. And fans began this petition to encourage directors and producers to not include Corden in this timeless musical. But enough negativity. James Corden still hosts The Late Late Show on CBS at 12:35 am and still receives good reviews from loyal watchers. His YouTube channel for The Late Late Show has maintained a whopping 27.1 million subscribers since the last episode/segment featured on the channel.

ESPN Losing Cable Viewers

Mike Windle/Getty Images

ESPN is known as “the worldwide leader in sports.” Some bad news for them is that they were in 8 million fewer homes in 2020, although there is some context to it that explains this statistic and lessens the blow. ESPN’s cable subscriptions dropped a substantial amount in 2020, but subscriptions to their exclusive access program, ESPN+, increased by almost 7 million subscribers. The ESPN+ subscription increase likely alludes to people getting rid of their cable packages and heading towards strictly streaming services. While ESPN is maintaining much of its audience, Disney, who owns ESPN, is not satisfied with the drop in cable subscribers, as there have been rumors that they may try and divert from ESPN.            

This interests me because I am a huge sports fan, but over the last few years, I have favored other sports networks, such as Fox Sports or NBC Sports, rather than ESPN. ESPN’s quality of content and authenticity seems to be getting worse and many of the channel’s shows have become less entertaining than they used to be. The drop in cable subscriptions makes sense to me, as people are moving towards streaming services, or they are also observing the same things as I have. I will continue to watch ESPN when they show a product that interests me, but at this time, I do not envision myself purchasing a cable package with the network being part of it.

Netflix’s YuYu Hakusho Live-Action Adaptation Gets A Release Date

https://www.animenewsnetwork.com/news/2021-11-09/netflix-schedules-live-action-yu-yu-hakusho-series-for-december-2023/.179396, Adriana Hazra

Last Tuesday Netflix announced that it will be releasing its live-action adaptation of Yoshihiro Togashi’s YuYu Hakusho manga worldwide in December of 2023. Akira Morii and Kazutaka Sakamoto, Netflix’s content acquisition directors, are executive producing and producing this project respectively. Sakamoto recounted his own fond experiences with the intellectual property in question and insisted that Netflix is doing its best to do right by the fans he knows the series has all around the world. The series follows a 14-year-old delinquent named Yusuke Urameshi who dies after throwing himself in front of a car to save a child. Because of his selfless act, Yusuke is allowed to come back to the world of the living as a “spirit detective” tasked with defeating demons. For this project, Netflix and TOHO Studios signed a several-year contract to lease two of TOHO’s stage facilities; stage 7 and stage 10. In addition, ten sound stages, two acting centres, and a production centre of TOHO’s will also be used to create Netflix’s original programming. This deal goes into effect as of April first of 2022. 

The popularity of YuYu Hakusho’s 19 volume manga (1992-1995) has led to the creation of an anime adaptation, two live-action films, two animated films, and a stage play that ran from August to September of 2019. Said films and anime have all been dubbed and distributed in various languages and territories by Funimation, Media Blasters and Central Park Media respectively. The series notably acquired fans domestically by way of its airing on Adult Swim’s Toonami block. Further emphasizing the popularity of this property is the fact that new animated material for it has been released as recently as 2018 to celebrate the series’s 25th anniversary.

This article interests me for two main reasons. For one, I’m generally happy to hear that an older property like YuYu Hakusho is getting a Netflix live-action adaptation. For another, I think Netflix’s partnering with TOHO Studios speaks well of the potential for more live-action anime adaptations going forward. This especially in the event that the soon to be released Cowboy Bebop and One Piece adaptations do well.

Erskine, Donovan. “YouTube to Make Dislike Counts Private on All Videos.” Shacknews, Shacknews, 10 Nov. 2021, https://www.shacknews.com/article/127617/youtube-to-make-dislike-counts-private-on-all-videos.

Did A Chinese Streaming Company Make A Knock Off Squid Game?

https://www.bbc.com/news/world-asia-china-58991127, BCC NEWS

The Chinese streaming company Youku Has recently begun pushing promotional material for its new series “Squid Victory”. The promotional material in question is a poster that looks remarkably similar to the poster for Squid Game. Squid Victory is a variety show In which contestants compete in large-scale childrens’ games. Netizens were quick to chastise the “shameless” Youku for the obvious thievery of intellectual property at play. In response, Youku has issued an apology and alluded to the idea they will change the poster at the heart of this issue stating it is, in their words, just a “draft” poster. Regarding this issue The company also stated:

“Due to a work error, the first draft of the new Game’s Victory show – which was shot down before – was mistakenly used in promotional activities at a trade fair,”

This statement which was written on the Chinese Twitter equivalent “Weibo” was posted alongside a notably distinct poster design for their newly re-titled program “Game’s Victory”. These steps however have done little to quell online outrage.

“It sounds like such a lame cover-up. Obviously, they had tried to rip off Squid Game because of how popular it is,” another Weibo user posted.

 This debacle has brought up the fact that many Asian citizens are “fed up” with how often Chinese producers plagiarize Korean content. Netizens cite the similarities between the South Korean program “Show me the money” and the similar Chinese program “The Rap Of China” as being a particularly egregious example of this trend as well.

“Why can’t our producers come up with our own ideas? This is so embarrassing,” another poster on Weibo commented.

 This all comes as a result of Squid Game’s becoming a nationwide phenomenon in China despite its not officially being released there. As Netflix is not available in China the show has gained a following exclusively through illegal means such as torrenting sites. Youku being one of China’s most popular streaming platforms with between 90 and 100 million active users decided capitalizing on Squid Game’s situation was potentially very profitable. This controversy comes on the heels of a multitude of similar culturally-based arguments that China and Korea have taken part in in recent years. Last year for instance Korea accused China of “stealing culture” when the country stated it “led the kimchi industry”. This controversy was born of The language barrier between the two countries. In China, kimchi is called “pao cai” – this being the same name as a Chinese pickled dish. China was also criticised for stating that the Korean national dress handbook originated there.

To answer the question posed by the title of this article “no”. I’m writing this article because I firmly hold that opinion. I don’t think taking surface-level elements from a popular television program and incorporating them into a show of a completely different genre is as bad as it’s being made out to be. To be clear, I’m glad that the name “Squid Victory” and the poster that represents the centre of the controversy were changed because they were deliberately misleading. I would however like to call into question why the Chinese and Korean governments are bickering like children about cultural stuff?  Lastly, I beg the question, who cares if some Chinese body makes a rip off of a game show or of a drama that can’t legally be accessed in China? If said shows aren’t good enough to stand on their own merits won’t they just be cancelled anyway? Is mimicry not the greatest form of flattery?

NEWS, BBC. “Squid’s Victory? China Streaming Site Accused of Copying Squid Game.” BBC News, BBC, 21 Oct. 2021, https://www.bbc.com/news/world-asia-china-58991127.

Netflix’s ‘Squid Game’ has taken the world by storm and makes other streaming platforms eager to explore international business

Image via CNBC

Netflix’s ‘Squid Game’ took the world by storm since its release and is now considered Netflix’s biggest launch ever, by reaching more than 111 million viewers worldwide. With this incredible success, the South Korean series further opens the doors to non-U.S. productions, which might save a lot of money for giant streaming platforms in the future.

In the past, U.S. productions often used international locations to bypass American taxes and avoid their strict union regulations. Moreover, many countries that are looking for bumps in tourism and recognition “will give you free marketing through government channels or support at festivals. They may even give you free local co-producers.”  (Ajaj Mago, corporate and technology lawyer)

While earlier U.S. productions used international locations as stand-ins American sets, they are now starting to realize the potential of foreign language films and series, which have typically been viewed as niche content only.

“They’d come around to Canada or some place that offered tax incentives, and they’d drop in some American mailboxes and street signs, change the license plates on cars, and voila. What’s happening now is there is local content from these regions. Studios are no longer masquerading.”

Domenic Romano, entertainment attorney and managing partner of Romano Law

All nine episodes of ‘Squid Game’ only cost §21.4 million (in comparison just one episode of Disney’s ‘Wanda Vision’ cost $25 million), partially because of South Korea’s 52-hours workweek rule. With ‘Squid Game’s worldwide success, other video streaming giants are investing in local international productions too:This week, Disney announced its plans for 27 productions in the Asia Pacific region for their streaming platforms.

CNBC noted that these changes in movie and series production “may also be a boon for creators that have felt stuck in an industry that has relied on superhero movies and reboots of old TV shows for reliable revenue. Tapping the world for new stars and ideas allows for new avenues of growth that can mutually benefit artists and studio executives.”

It will be interesting to see, whether the streaming platforms’ content will really become more diverse and ‘creative’ in the next years.

DC/Warner Brother’s Announcements at Fandome 2021

When Is DC FanDome 2021? - Push Square

https://www.pushsquare.com/features/live-watch-the-dc-fandome-2021-livestream-right-here, Sammy Barker

Warner Brothers and DC Comics held their second annual “Fandome” event this past Saturday at which they revealed a number of trailers and sneak peeks of upcoming tv shows, movies, and games. The movie trailers shown include: The Batman, Black Adam and, The Flash. The movie sneak peeks included Aquaman 2 and Shazam 2. New tv shows that were announced include Peacemaker, Batman: Caped Crusader, Aquaman: King of Atlantis, and a yet to be named CW show about a girl who doesn’t know she has superpowers that stars Kaci Walfall. Shows that have been announced to have a new season coming include: Batwoman, The Flash, Superman & Lois, Supergirl, Legends of Tomorrow, Stargirl, Harley Quinn, Young Justice, Titans, and Doom Patrol. The games displayed at this event includes Suicide Squad: kill the Justice League and Gotham Knights.

The Batman trailer that was displayed is the second that has been put out for the upcoming film. This trailer notably showed off the inclusion of the characters Catwoman and The Riddler as well as Robert Pattinson’s take on the Caped Crusader. The Batman has been slated for a March 4th 2022 release. Dwayne Johnson was quoted as saying he was “born to play Black Adam,” before introducing that movie’s trailer. Said trailer also marks the on-screen debut of superhero group The Justice Society of America. Black Adam is set to hit theaters on July 29th 2022. The Flash movie trailer features a number of different versions of The Flash played by different actors as well as both Ben Affleck’s and Michael Keaton’s versions of Batman. The Flash is set to premiere on November 4th 2022. Only behind the scenes looks at Aquaman 2 and Shazam 2 were shown as the films aren’t far enough into production to warrant having trailers. John Cena’s Peacemaker character who debuted in last Summer’s Suicide Squad film’s HBO Max series was announced to be debuting on January 13th 2022. lastly, in video game news, Both Suicide Squad: Kill the Justice League and Gotham Nights are AAA titles in the vein of the preexisting Batman series of video games. 

This article interests me for four key reasons. One, because I am a fan of a lot of the intellectual properties that are being represented in upcoming films and shows. Two, due in large part to the delays necessitated by the pandemic a part of me had long since accepted that DC up and stopped trying to compete with Marvel before seeing these announcements. Three, I’m particularly fond of Batman The Animated Series and this article notes that the upcoming Batman: Caped Crusader series is very reminiscent of it. And four, there seems to be a wide variety of different types of films and tv shows being produced. This is notable because my main issue with the DC films and tv shows of a few years ago is that most of them were sold on being “gritty” and “realistic” takes on the characters they were representing.

Barker, Sammy. “Live: Watch the DC Fandome 2021 Livestream Right Here.” Push Square, Push Square, 16 Oct. 2021, https://www.pushsquare.com/features/live-watch-the-dc-fandome-2021-livestream-right-here.

Lyons, Kim, and Chaim Gartenberg. “The Biggest Announcements from DC FanDome.” The Verge, The Verge, 16 Oct. 2021, https://www.theverge.com/2021/10/16/22729057/biggest-announcements-dc-fandome-batman-black-adam-hbo-warner.

Hollywood’s Behind-The-Scenes Staff reach Tentative Deal with Studios, adverting strike scheduled for Monday

IATSE President Matthew D. Loeb, Image via AdWeek/IASTE

IATSE, the International Alliance of Theatrical Stage Employees, recently came to a tentative agreement with the Alliance of Motion Picture and Television Producers (AMPTP), adverting a scheduled strike for this upcoming October 18th. IATSE is a union representing about 60,000 crew members including hairstylists, costumers, gaffers, propmakers, cameraworkers and other behind-the-scenes jobs on set. The union had been negotiating pay, work schedules and more with AMPTP, an organization that represents companies such as Netflix, Warner Bros, Universal Pictures and Paramount Pictures, since May.

Prior to the tentative agreement, IATSE President Matthew Loeb said in a statement posted on Twitter: “We will continue bargaining with the producers this week in the hopes of reaching an agreement that addresses core issues, such as reasonable rest periods, meal breaks and a living wage for those on the bottom of the wage scale” 

If the strike had occurred it would’ve been the first time Hollywood’s Behind-The-Scenes workers had held a strike since World War II and would represent the largest cease Hollywood’s workforce since a 14-week writers’ strike in 2007.

According to IATSE, the 3-Year contractual agreement with AMPTP includes living wages for the lowest paid workers, higher wages, daily 10 hour rest periods and weekend 54 hour long rest periods along with other basic benefits. Prior to this, streaming TV and film productions featured lower pay scales for workers which reflected budgets at the beginning of the medium and platforms. However, streaming is now a very large chunk of the market and worker’s felt their wages should reflect that. The increased production and volume of streaming entertainment had also made for grueling, “around-the-clock” and “around-the-calendar” (Sutton, 2021) working conditions.

Overall, this situation between IATSE and AMPTP reflect the truth behind what is going on behind the scenes of the public’s favorite shows and streaming platforms. It also reflects streaming as medium that is here to stay and in need of regulation for it’s workers.

Del Barco, Mandalit. “Hollywood crew members reach a tentative deal with major studios, averting a strike” NPR, 16, October, 2021. https://www.npr.org/2021/10/16/1045711954/hollywood-crew-members-iatse-reach-deal-no-strike

Sutton, Kelsey. “TV, Film Workers Set Oct. 18 Strike Date as Negotiations With Studios Stall” AdWeek, 14, October, 2021. https://www.adweek.com/convergent-tv/tv-film-workers-set-oct-18-strike-date-as-negotiations-with-studios-stall/

China’s ban on kids playing online games for only three hours per week

This is a huge blow to the gaming industry in China that rely on loyal players and subscribers. But is this an attempt to regulate children’s exposure to “specific types of video games?”. On the other hand, is this an attempt to regulate children’s media exposure as a whole in China? In 2021 there over 110 million minors playing video games in China. It’s expected that this number will decline due to the reduction in time they’re allowed to play, which will also influence money spent by these players under 18. https://www.cnn.com/2021/08/31/tech/china-ban-video-games-minor-intl-hnk/index.html

In 2019, there were limits restricting play to 90 minutes a week for children. Authorities state that these new restrictions were created to attempt to prevent young people from becoming addicted to video/online games. They also stated that placing these specific restrictions will protect the healthy growth of minors in China. In reaction to this, investors such as NetEase (NTES) declined 3.4% during trading hours in New York Monday the 27th.

This may also impact the industry of eSports in China. Its the international gaming competition (Olympics) for online video gamers. If minors are limited to the amount of hours they are allowed to play, the momentum for this event could die down, impacting China’s economy. On the other hand, they are paying close attention to the potential behavior changes for children/adolescents after exposure to these games. Attempting to get ahead of the “problem” they see for their citizens. Will Chinese kids find a way around this restriction? And play video games as normal? What does the enforcement of these new restrictions look like?

” There are over 110 million minors that play video games in China today, and we expect the new limits to lead to a decline in the number of players…”

– Danial Ahmad

Google Fiber Kills Traditional TV In Favor of Streaming

As of today traditional television is on its last leg. Most of the best content to watch is already online. Websites such as Netflix, Hulu, Youtube, now Disney plus, with Peacock on standby, streaming will dominate the decade. Google Fiber sees the trend and is opting to change it’s perspective as a company. After the change to drop traditional television methods comes with partnerships of Youtube TV and FuboTv. FuboTV distributes lives sports, offers over 35,000 live sports events yearly. Now new Fiber customers have two options on how they want to receive live and on demand programming.