Facebook and the Whistleblower

https://www.nytimes.com/2021/10/06/podcasts/the-daily/facebook-whistleblower-frances-haugen.html?searchResultPosition=33

Facebook is yet again being tangled into a government and media squabble when a whistleblower based in research, shared her findings that Facebook was trying to keep hidden from the public. Francis Haugen is a data engineer who worked at Facebook from 2019 to 2021. On Tuesday, she testified before a group from the Senate Commerce Committee about how decisions were made at the biggest social media platform in the world. The findings range from many topics but have common themes of misinformation, determinants to our mental health and attention span, and the algorithmic spreading of hate. 

Since the late 2000s when the first social medias were just in their infancy, as a society we noticed a distinct change of not only how we the people manipulate and use these platforms but more importantly how they manipulate us. Fast forward to 2021 where Facebook is on top of the social networking market, having absorbed “Whatsapp” and “Instagram” and most recently “Oculus” an augmented reality company. The United States Government and Federal Trade Commission are now questioning the notion of Facebook being a monopoly. Although they do face competitors like Linkedin, Twitter, Tik Tok, and Youtube even, there is something to be said in owning the most personal of platforms, for people to express who “they are.” as mentioned by the new head of the FTC Lena Khan. With this responsibility and power comes massive control of personal data which is the reason Facebook is getting caught in hot water. 

The data that Francis Haugen and her team of researchers collected highlights that Facebook’s algorithm tees up content for each individual person that keeps their attention and leads us into further filter bubbles of reactive content. Andrew Morass, a New Yorker staff member, described this feature as “meaningful interaction”. He explains that the feed you’re seeing is no longer in chronological order, but teed up in a way that maximizes your engagement with said content, reupdating every few seconds. Morass uses the example of ex-boyfriends’ wedding photos, which make sense if you have been actively looking at that person’s page for the last several months/years. This also happens with opposing political views that are presented to you due to the language of the comment section touching on keywords that have relation to your beliefs and have been shown to get your engagement. Negative reactions create such a back and forth behavior between people that generates even more engagement as more people from opposite sides of the table join in. This has in turn caused a polarization of views on politics, human rights movements, and Covid-19 legitimacy. 

What is even more frightening is what Francis Haugen describes as the “toggling on/off of hate speech” and censored content relating to the election during the end of 2020. Facebook was ordered by government agencies to regulate political speech in terms of misinformation and hate speech due to the problems that were faced in the last election surrounding Russia’s involvement. However, the minute the election was over the censored content settings were toggled off allowing a huge boil over of content that was extremist on both sides of the political coin. On January 6th a vast mob of Trump supporters gathered through the use of social media at the Capitol Building and sought out to overturn the decision of the 2020 election. 

Mark Zuckerberg has denied Facebook responsibility in this situation as well as the accusation brought to the FTC’s attention by Francis Haugen. In the past, he has apologized for the imperfections of the platform and agreed to create teams and initiatives to fix the hate speech on the platform. Haugen teams’ research from just this year found that Facebook only decreased hate speech by 2 percent, and decreased speech surrounding violence and incitement about six-tenths of a percent, despite being “[T]he best in the world at it…”, to quote Mark himself. After the latest round of questioning from the government, Facebook is taking a more defensive approach, saying the claims of Haugen are illogical and are taken out of context to Facebook’s wide portfolio. 

What’s the Solution?

From researchers, media experts, and regular everyday users, the question lingering seems to be how do we fix this problem that seems too far gone? Asking users to stay off a platform when loneliness and the need for information and connection are at an all-time high, seems to be impossible. The next option would be some government agency stepping in to monitor even closer about what people are posting and saying online. This however seems to be an unlikely choice given the constitutional right of our Freedom of Speech given to us by the first amendment. 

We could hope that the FTC sees the true effect social media platforms (specifically Facebook and Instagram) have on our mental health, polarizing political system, and overall literacy communication and decide that the companies need to be broken up. The problem with this notion is that the FTC does not like to break up companies that have no concrete evidence of inflation of prices or monopolizing a single market. 

On paper, the overarching brand of Facebook is not doing either by being a free public platform and not acquiring every social media platform out there. At this point, relying on Mark Zuckerberg to prioritize safety over monetization seems like a stretch given what we know about the Harvard grad and his humble beginnings, hacking Harvard’s class directory just to rate the attractiveness of his female classmates. As a society, we are left to try to make a cultural shift in invoking a sense of reality where we can admit that these platforms are stronger and smarter than our human weaknesses such as jealousy, impulsive anger, and envy to name a few. The citizens of this country need to have more media literacy, creating an all-encompassing curriculum or online resource on how social media platforms started, how they operate and thrive, and what effects they have on our innate human psyche. Considering that in the U.S. we can not even get every state to teach basic human reproductive systems and protection, this type of tech education might be years out.

Did A Chinese Streaming Company Make A Knock Off Squid Game?

https://www.bbc.com/news/world-asia-china-58991127, BCC NEWS

The Chinese streaming company Youku Has recently begun pushing promotional material for its new series “Squid Victory”. The promotional material in question is a poster that looks remarkably similar to the poster for Squid Game. Squid Victory is a variety show In which contestants compete in large-scale childrens’ games. Netizens were quick to chastise the “shameless” Youku for the obvious thievery of intellectual property at play. In response, Youku has issued an apology and alluded to the idea they will change the poster at the heart of this issue stating it is, in their words, just a “draft” poster. Regarding this issue The company also stated:

“Due to a work error, the first draft of the new Game’s Victory show – which was shot down before – was mistakenly used in promotional activities at a trade fair,”

This statement which was written on the Chinese Twitter equivalent “Weibo” was posted alongside a notably distinct poster design for their newly re-titled program “Game’s Victory”. These steps however have done little to quell online outrage.

“It sounds like such a lame cover-up. Obviously, they had tried to rip off Squid Game because of how popular it is,” another Weibo user posted.

 This debacle has brought up the fact that many Asian citizens are “fed up” with how often Chinese producers plagiarize Korean content. Netizens cite the similarities between the South Korean program “Show me the money” and the similar Chinese program “The Rap Of China” as being a particularly egregious example of this trend as well.

“Why can’t our producers come up with our own ideas? This is so embarrassing,” another poster on Weibo commented.

 This all comes as a result of Squid Game’s becoming a nationwide phenomenon in China despite its not officially being released there. As Netflix is not available in China the show has gained a following exclusively through illegal means such as torrenting sites. Youku being one of China’s most popular streaming platforms with between 90 and 100 million active users decided capitalizing on Squid Game’s situation was potentially very profitable. This controversy comes on the heels of a multitude of similar culturally-based arguments that China and Korea have taken part in in recent years. Last year for instance Korea accused China of “stealing culture” when the country stated it “led the kimchi industry”. This controversy was born of The language barrier between the two countries. In China, kimchi is called “pao cai” – this being the same name as a Chinese pickled dish. China was also criticised for stating that the Korean national dress handbook originated there.

To answer the question posed by the title of this article “no”. I’m writing this article because I firmly hold that opinion. I don’t think taking surface-level elements from a popular television program and incorporating them into a show of a completely different genre is as bad as it’s being made out to be. To be clear, I’m glad that the name “Squid Victory” and the poster that represents the centre of the controversy were changed because they were deliberately misleading. I would however like to call into question why the Chinese and Korean governments are bickering like children about cultural stuff?  Lastly, I beg the question, who cares if some Chinese body makes a rip off of a game show or of a drama that can’t legally be accessed in China? If said shows aren’t good enough to stand on their own merits won’t they just be cancelled anyway? Is mimicry not the greatest form of flattery?

NEWS, BBC. “Squid’s Victory? China Streaming Site Accused of Copying Squid Game.” BBC News, BBC, 21 Oct. 2021, https://www.bbc.com/news/world-asia-china-58991127.

Taco Bell looks to Reinvent the Fast Food Drive-Thru with Test Location

image via https://rebusinessonline.com/taco-bell-to-reinvent-drive-thru-concept-with-futuristic-restaurant-in-brooklyn-park-minnesota/

With mobile and contactless ordering becoming the new norm in 2020, Taco Bell is one chain that is looking to change its primary service method to the drive-thru. Many fast-food chains found having a sit-down dining room obsolete during the pandemic and the cost and labor to clean it became less profitable than having it was. With this, some new Taco Bell locations will include smaller dining rooms, kiosk-only locations, dual drive-thrus, and outdoor socializing areas.

However, the largest, most innovative changes to the traditional fast-food restaurant model are in the company’s upcoming test location in Brooklyn Park, Minnesota. The project, known as ‘Defy’, is in partnership with Minnesota-based design company, Vertical Works. The Defy joint collaboration between Taco Bell and Vertical works is a 3,000 sq ft, two-story restaurant set to be finished in summer 2022.

The structure takes an extremely non-traditional approach to the fast-food restaurant, as it has no dining room. This Taco Bell location will have four drive-thru lanes, where three are specifically for mobile and delivery pickup orders. These lanes will allow Taco Bell app users or third-party delivery drivers to skip the line to pick up their orders. These lanes will also have digital check-in screens so customers can sign in using their phone by scanning a custom displayed QR code. Using a proprietary lift system, the food will be lowered down from the kitchen above in a contactless manner.

Some users seem to be excited about the new ‘Defy’ location on Twitter, tweeting:

While others are critical about the further dehumanization of fast-food workers and lack of socialization, tweeting:

It is extremely interesting to see this new concept for fast food and we will see if other chains adopt a similar concept soon. This futuristic design reminds me somewhat of the movie Wall-E with how disconnected from human interaction it is. The implementation of technology and use of the mobile app ordering system is another interesting aspect and an innovative way to increase app downloads and usage for Taco Bell. The use of digital media has become so ingrained in our society that restaurants can exist that are almost exclusively mobile order only based.

Hiller, Kristen. “Taco Bell to Reinvent Drive-Thru Concept With Futuristic Restaurant in Brooklyn Park, Minnesota” 18, August 2021. ReBusiness Online, https://rebusinessonline.com/taco-bell-to-reinvent-drive-thru-concept-with-futuristic-restaurant-in-brooklyn-park-minnesota/

Dominko, Mura. “5 Changes You’ll See at Taco Bell’s New Locations” 24 March 2021. Eat This, Not That!, https://www.eatthis.com/news-taco-bell-new-restaurant-designs/

Social medias’ uphill battle with eating disorder-related content

Image courtesy of BBC.com/news

In these past couple weeks after whistleblower, Frances Haugen, testified before congress regarding how Facebook’s algorithm has been feeding harmful content and misinformation to the masses, the topic of how social media perpetuates eating disorder-related content has reached the mainstream. Internal documents revealed how Instagram’s algorithm has perpetuated content that is normally associated with the more toxic realm of body, weight, and health related material. This has resulted in “proana” (short for pro-anorexia) as well as other disorder eating related content being exposed to users. This has been incredibly problematic for younger demographics whose sense of self and esteem are so vulnerable.

For many people reading this, this is old news. Content that glamorizes eating disorders have been prevalent on social media platforms long before the birth of Facebook and Instagram. Myspace and Tumblr were especially notorious hotbeds for all things “thinspiration” in the early to mid-2010s. As the years went on, tech companies have been more proactive in taking down profiles and posts that included any keywords associated with eating disorders, while subsequently making sure that anyone who searched up these terms was given direct access to helplines and psychiatric support. Facebook has been slammed in the last month with outrage from a public demanding to know why these algorithms would continue to promote content so dangerous to young people. Is it a shameless cash-grab within the weight loss industry? A miscalculation in a technical code? How could they let this continue to happen? Well, while those questions are still valid to ask, its important to note that identifying harmful content is not as simple as it may seem. In a New York Times article, authors Kate Conger, Kellen Browning and Erin Woo referenced an important quote about this topic:

“Social media in general does not cause an eating disorder. However, it can contribute to an eating disorder,” said Chelsea Kronengold, a spokeswoman for the National Eating Disorders Association. “There are certain posts and certain content that may trigger one person and not another person. From the social media platform’s perspective, how do you moderate that gray area content?”

https://www.nytimes.com/2021/10/22/technology/social-media-eating-disorders.html

From an outsider’s perspective, it may be easy to look at one profile and categorize it as “harmful” while viewing another as “health-related”. However, that perspective can differ drastically depending on the individual. There is a plethora of content that was never intended to be viewed as “proana”, but, unfortunately, is worshipped that way. Think models, influencers, or fitness gurus. How is an algorithm meant to understand what reaction a user will gauge? It becomes even more difficult when we look at how many people use social media as a place to tell their story about their eating disorder recovery. One of the most beautiful aspects of the modern age is how we can use these platforms to connect with other people who are struggling and offer them support. Unfortunately, like influencers, accounts meant to promote recovery can also be viewed in a toxic mentality that further perpetuates disordered thinking. Is Instagram supposed to shut down these survivors’ accounts as well? The accounts that really perpetuate these toxic ideologies are often hard for social media to identify; the hashtags will normally be one letter off from the keyword that would get them shut down, while any wording in posts is carefully crafted as to avoid them as well.

Instagram and Facebook have made a lot of progress in taking these accounts down compared to the past. However, these new reports have also exposed the flaws in their system. They are not without fault, but it is important to remember how difficult paroling this type of evading is on a scale of over a billion users. No one (not just girls) should be exposed to accounts that promote EDs, but for those who wish to seek it out, can always find a way to hide in the shadows. It will be interesting to see how Facebook address this situation, and whether or not they will make changes in their technology and AI to more accurately identify the nature of these accounts. Though, they may want to consider that the best course of action, for vulnerable people to truly avoid coming across these triggers to their mental health, is to denounce their platform; to not assume that everything can be fixed from within, and for once, just suggest that their platform is not suitable for some people to use.

Illinois is the First State to Pass a Media Literacy Bill

Beginning in the fall of 2022, every Illinois student will be undergoing a unit of media literacy in classrooms across the state. Civil rights attorney Maaria Mozafaar was approached by Media Literacy Now to address her concerns and organize them to be proposed to lawmakers. Media Literacy Now is a non-profit devoted to “creating a public education system that ensures all students learn the 21st-century literacy skills they need for health, well-being, economic participation and citizenship.” Illinois State Rep. Elizabeth Hernandez took on the proposition that the two introduced and created House Bill 234.

A recent interview done by NPR illustrates the need for such implementation in the classroom. Peter Medling of WNIJ investigates current tactics in place that are meant to help students identify useful and truthful information. He gathers from the students that many of the methods are seen as dated, and not up to standards in today’s digital world of information overload.

For this to work, teachers also have to be media savvy. Students say they often struggle because the strategies teachers provide for evaluating sources can be outdated. 

https://www.npr.org/2021/08/12/1026993142/illinois-is-the-first-state-to-have-high-schools-teach-news-literacy

The reason why these implementations are so significant today is because of the role that targeted algorithms play in replacing searching for books and articles online. It is a new reality that did not exist less than 15 years ago. This bill is an important step toward making these educational tools and resources publicly available and shaping our future.

Cable News’ Failure to Report on the Fossil Fuel’s Strong Role in Climate Change

The climate crisis has become an increasingly popular mention in news across social platforms such as Twitter as people are looking for answers and solutions. Cable news, however, is covering a different side of the story. Congressional negotiations are underway to slow the impact of climate change. Senator Joe Machin (D-WV) is one of the main people who is standing in the way of passing negotiations and reconciliations. The American public lead to question whether or not Manchin’s main goal is to sabotage clean energy.

The clean energy bill that is being proposed is illustrated by experts as “the backbone of the energy transition”. It allows companies who switch to cleaner sources of energy to be rewarded, and holds those back who do not by fining them. According to Vox, the program would be the most effective way to slash carbon emissions significantly enough to show drastic change. Who would be opposed to such a program?

Senator Joe Manchin speaking to reporters outside the US Capitol on September 20, 2021. (Kevin Dietsch/Getty Images)

As per Media Matters, Mr. Manchin made $491,949 in dividends from his Enersystems stock, according to his Senate financial disclosure report. Manchin has also historically received grand donations to his campaign sourced from Fossil Fuel companies. In the grand scheme of three weeks of news reporting, there were only five mentions of Machin’s associations to the industry among major cable news distributors. This contributes to the larger problem of misinformation at hand.

The role that news plays in our society is significant in that people look to it for updates, statistics, and most importantly, truth. A vast majority of Americans turn to prime-time television for information on what is happening in the world. Cable news’ failure to illustrate the role that Fossil Fuel companies play in slowing down progress against climate change is severely detrimental to our society. Where are people to look when they are interested in finding out how to combat climate change when they are not aware of the source of it all? How are we to hold our news networks responsible for this?

Spotify Partners With Shopify

Photo Via Spotify

On Wednesday Spotify announced its partnership with Shopify, the e-commerce platform for online stores and retail. Artists will now be able to list merchandise and apparel for fans directly on their Spotify profiles. Global artists were already able to feature a link to their Shopify account to their Spotify profile but now users are able to view featured products directly on the streaming platform. According to Spotify, he new feature is currently still in its “beta” phase and only Spotify users in the the U.S., Canada, Australia, New Zealand and the U.K will able to view and purchase merchandise on the platform.

Spotify is offering several packages for artists linking their Shopify accounts to profiles. Packages range form $29/month for a basic package, to $299/month for the most advanced package which includes enhanced marketing reports. Spotify is offering a free 90 day trial for all artists linking their accounts for the first time.

Camille Hearst, head of Spotify for Artists, explained in a statement, “For many fans, Spotify is the primary way they interact with an artists’ music, and we are excited to give artists a new way to capitalize on that moment. The integration of Shopify’s powerful backend for powering commerce presents a significant step forward in our efforts to help artists maximize additional revenue streams and give them agency over their careers.”

The new Shopify feature offers inventory management technologies including automatically removing out-of-stock items from artists’ profile, instantly adding new products, offering print-on-demand services, and connecting artists with merchandise-fulfillment partners. The integration could offer additional revenue for artists without an establish merchandise website as well as encourage artists to create Shopify accounts.

Squid Game is Netflix’s Most Popular Series

Photo via The New York Times

The popular Netflix series “Squid Game” has become their biggest title ever released. The South Korean show about indebted people participating in a deadly content for a cash prize, reached 111 million global views within the first 17 days of release. According to figures estimated by Bloomberg, Hwang Dong-Hyuk’s thriller will generate almost $900 million for the company. “Squid Game” reached the number one position on Netflix in 94 countries.

Compared to other original series produced on Netflix, “Squid Game” was relatively cheep to produce. Each episode cost roughly $2.4 million to produce, a total of $21.4 for the whole series according to Netflix’s performance metrics for the series. The document illustrated how successful the international series has been for Netflix as one of the most popular show ever.

With the success of many of its foreign films, Netflix has invested efforts in translating and dubbing foreign language films for international consumption. “Squid Game” further opens the door for international film production as more American’s consume foreign films and television. Netflix saves millions of dollars and avoids strict union regulations by filming internationally and hiring local talent and production crews.

Netflix’s ‘Squid Game’ has taken the world by storm and makes other streaming platforms eager to explore international business

Image via CNBC

Netflix’s ‘Squid Game’ took the world by storm since its release and is now considered Netflix’s biggest launch ever, by reaching more than 111 million viewers worldwide. With this incredible success, the South Korean series further opens the doors to non-U.S. productions, which might save a lot of money for giant streaming platforms in the future.

In the past, U.S. productions often used international locations to bypass American taxes and avoid their strict union regulations. Moreover, many countries that are looking for bumps in tourism and recognition “will give you free marketing through government channels or support at festivals. They may even give you free local co-producers.”  (Ajaj Mago, corporate and technology lawyer)

While earlier U.S. productions used international locations as stand-ins American sets, they are now starting to realize the potential of foreign language films and series, which have typically been viewed as niche content only.

“They’d come around to Canada or some place that offered tax incentives, and they’d drop in some American mailboxes and street signs, change the license plates on cars, and voila. What’s happening now is there is local content from these regions. Studios are no longer masquerading.”

Domenic Romano, entertainment attorney and managing partner of Romano Law

All nine episodes of ‘Squid Game’ only cost §21.4 million (in comparison just one episode of Disney’s ‘Wanda Vision’ cost $25 million), partially because of South Korea’s 52-hours workweek rule. With ‘Squid Game’s worldwide success, other video streaming giants are investing in local international productions too:This week, Disney announced its plans for 27 productions in the Asia Pacific region for their streaming platforms.

CNBC noted that these changes in movie and series production “may also be a boon for creators that have felt stuck in an industry that has relied on superhero movies and reboots of old TV shows for reliable revenue. Tapping the world for new stars and ideas allows for new avenues of growth that can mutually benefit artists and studio executives.”

It will be interesting to see, whether the streaming platforms’ content will really become more diverse and ‘creative’ in the next years.

‘Why Little Mix’s Jesy Nelson Is Accused of Being a Culture Vulture’

In December 2020, Jesy left the group in pursuit of her solo career. Since then she’s been pushing her career as a solo artist. Unfortunately, people are paying much more attention to recent allegations rather than her music. The discussion of her “culture vulture” behavior has been a continuous one as ‘Little Mix’s style evolved. Jesy’s white British identity gives insight to why people were upset at her use of “artistic expression”.

On occasion Jesy is seen wearing grills on her teeth, oversized clothing, colorful wigs, etc. Not to mention, there is a clear difference in skin tone compared to when Nelson first joined ‘Little Mix’ to now.

Recently, rapper Nicki Minaj collaborated on a song with Jesy called ‘Boyz’.  In this music video Jesy is seen wearing oversized jewelry, hair accessories, hair scarves, oversized clothes and timberland boots. Which is typically associated with Black culture. Black artists and black people created this style of fashion and are almost never credited for it.

‘Boyz’ ft. Nicki Minaj is an adaptation of P. Diddy’s ‘Bad Boy For Life’ single in 2001.

But what doesn’t sit right with a few Little Mix members and fans is the slow changing of skin color, to seem more “exotic” looking. These aspects about the music industry are problematic because artist of color who identify and showcase their identity aren’t embraced the same way. They are dismissed as “over the top”, “ghetto”, or ignored as a whole. While artist like Jesy are embraced and celebrated for it.

Hoop earrings, exotic looking nails, Timberland boots, and colorful wigs go deeper than video shoots. There’s a historical pattern of Black people and people of color being robbed of their culture, while other races are able to capitalize from it. Nicki Minaj openly defended Jesy against ‘Little Mix’ member Leigh-Anne Pinnock for accusing Jesy of “Blackfishing”. Which surprised many fans as this is a tactic white artists use to appeal to the “urban” audience. Leigh-Anne Pinnock, who identifies as African-Caribbean, expressed her frustration over her experience with Jesy in the group. She witnessed different variations of her culture appropriating behavior and in opposition of this, she spoke out publicly.