Does Music Artists Personal Life Connect to Our Consumption of Their Music?

Recent comments by singer Katy Perry, about singer Adele and her new project 30 (debut November 19th) sparked a popular topic in the music industry. Perry’s comments stated “Adele drops new music when everyone is vulnerable and sensitive” typically during the Autumn seasons. She says it in a joking tone, indicating that she is excited to hear this new music. But acknowledges a tactic that labels and music artists use to generate the most traffic to their projects. Adele being a highly anticipated artist, understands her influence on the music industry and her fans. She releases heartfelt ballads that are praised but often associated with love and sorrow. Katy Perry being more of an upbeat pop artist, she joked that other artists release music when they know the world is about to be “sad”.

Other artists like Drake have been associated with promoting his music by thriving on his fan’s highs and lows. Since debuting his first studio project Comeback Season  Drake was associated with jokes like “don’t drake and drive” or “Drake is so sensitive and lonely, always longing for a woman”. His Toronto sound became a staple in the music industry because of his reminiscent lyrics and personal life. This age of celebrities shares so much of their lives with their fans. Drake’s been romantically associated with women such as Serena WilliamsRihannaJorja Smith, Jennifer Lopez, etc. Drake acknowledges his failed romances, childhood traumas, and feuds in his music. His fan’s connection and opinion towards his romantic relationships, somehow correspond with his album/streaming success. A pattern shown in Drake’s release dates shows that he thrives on his fan’s highs and lows: releasing music strategically in the colder seasons and summertime.

Perry emphasized in her comment that Adele’s songs alone don’t keep the fans anticipated. It’s the fact that Adele releases her music during the colder seasons, when there is a rise in seasonal depression. Another artist associated with his industry strategy is the singer Kehlani. In a recent interview with Power 105.1 The Breakfast Club radio show, she expressed her appreciation for fans that support her music. She then described a common theme in reaction to her music, saying “my fans love when I’m heart-broken”. Implying that she releases more “fire” music when she’s dealing with emotional trauma. Now that her fans hear more “self love and happy songs”, they still admire it, but it gives them a different feel.

To name one more artist whose name is associated with heartbreak, strategic release dates, and close connection to fans is Summer Walker. Without getting too deep into her personal life, Summer Walker is an R&B singer who debuted her first EP in 2019 and first album the same year. Walker has been associated with her now ex-boyfriend, producer London on da Track. This up and down relationship led to him producing her first studio album, along with causing a great amount of heartbreak for the two of them. Because Walker uses social networking sites to connect with her fans, they got a front-row seat to the madness. Since their break-up, Walker announced her new album to be released November 5th, not produced by London. Her fans are excited for her music because they thrive on her heartbreak songs that just so happen to be released when “everyone is most vulnerable” like Perry says. Is it true heartbreak and seasonal depression bring album sales? 

76ers Suspend Ben Simmons After Being Being Thrown Out of Practice

Ben Simmons (Benjamin David Simmons) is an Australian professional basketball player for the NBA, who was drafted in 2017 by the 76ers. He is 6’10 with long arms and legs that were promising to the league. He was the first drafted pick in the NBA that year, making him one of the most sought after players in the organization. Shortly after his arrival to the league, 76er fans and NBA enthusiasts were not impressed by his performance. Besides a few spottings with his recent girlfriend, Kendall Jenner (2018), Ben Simmons was pretty quiet towards the press. He signed a 5-year $177,243,360 contract with the 76ers included with an annual average of $33 million dollars.

Philadelphia can be a tough crowd as it pertains to music, sports, entertainment, etc. But one thing they don’t play about, is their sports. Simmons has been criticized for “not showing up” or “getting cold feet” after starting his career in the NBA. He was passing the ball more than he was taking shots. He shoots 60% from the free-throw line, since the postseason. Since his addition to the 76ers his point average remained relatively 15-17 points per game, with around 8 rebounds, and 8 assists. Which doesn’t mean he’s a horrible player. But definitely confuses 76ers fans and teammates who believed him to show why he was the #1 pick in the NBA draft (2017)).

After the last few years of pre-season practices, games, and post season politics, Simmons has publicly stated he no longer wants to play for the 76ers. On Monday, October 18th Simmons was thrown out of practice and later suspended. According to 76ers representatives and teammates Simmons “doesn’t want to play– or even practice– with the Philadelphia 76ers anymore”. Coach Doc Rivers was signed and hired as the 76ers head coach in 2020, hoping to salvage their legacy.

After season games, players spoke with the tabloids expressing their frustration with Ben Simmons performance. 76ers player Joel Embiid reportedly says “he has not spoken to Ben Simmons since he returned to the team”. Saying “it is not my job to babysit anyone on the team”. There were also videos capturing the team’s dynamic during practice. The video shows Simmons on the outside of the huddle, and later leaving to go back to the locker rooms, while his teammates disperse onto the court smiling and laughing. This type of behavior isn’t ideal for a great team dynamic on and off the court. Simmons expressed “If Philly doesn’t want me, I’ll play somewhere else”. And has actively been negotiating different trade deals, outside of his 76ers 5-year contract. (2021) Simmons will not play in the season opener game for the 76ers, and officials are waiting to see what direct impact this will have on the NBA.

Facebook Distanced from Social Media Giants in Hearing

In a congressional hearing with the senate commerce committee, tech company representatives were held accountable for the content published in their platform in regard to it interfering with online privacy policies. The only company that was not present in the hearing was Facebook, as a warning had already been released for the social media giant about the harmful impact that Instagram’s algorithm has on children and teens. The representatives of respective social media platforms like Snapchat and YouTube firmly distinguished themselves from Facebook arguing that their approaches of respecting privacy policies and protecting underaged children utilized a different strategy. Particularly, this argument was set forth by Snapchat on the grounds of their chats deleting automatically by default to increase safety among users. Likewise, representatives of Youtube defended their strategies with recent implementations of age group categories, filters and ongoing human review. Despite their efforts, the chair if the sub-committee on Consumer Protection, Product Safety and Data Security emphasized that while these companies have separated themselves from Facebook and Instagram, that is not adequate reasoning to glorify inappropriate content in a different way. He continued is argument by adding that this might be a good time to do additional research and get better consensus about how to move forward.

I believe this article is pertinent to media news because of the ongoing privacy issues we have encountered as consumers have lead to nation-wide debates about reform. Regulation is necessary and major social media companies being held accountable for inappropriate content has had a long time coming. With the media landscape rising by the minute, it is imperative to take preventative measures and avoid negative exposure of underaged individuals. https://www.nbcnews.com/tech/social-media-giants-try-distance-facebook-rcna3831

Facebook’s New Smart Sunglasses

https://nypost.com/2021/09/09/facebook-unveils-ray-ban-smart-glasses-that-take-videos-play-music/

September 9th Facebook entered a new market releasing its first physical product, Smart sunglasses. The company collaborated with Ray Bands, a widely known and adored eyeglass brand. Taking videos and pictures at eye level, listening to music and answering phone calls hands free are just some of the attractive features of the new wearable smart eyewear. The technology features technology from Oculus, an augmented reality company Facebook bought, back in March 2014. The price point is relatively low given the expansive technology starting at $299. Facebook is not the first company to bring smart sunglasses to popular consumption. Google was the first to launch Google Glass back in 2013, with Snapchat following Snap’s Spectacles in 2016. Both brands lacked pairing technology with wearability.Almost a decade later Facebook is expanding its brand to fit the digital timeline heading to become a metaverse company that specializes in the human experience in terms of the social and augmented realities. Mark Zuckerburg, the founder of Facebook, elaborated on the brand shift in focus as, “Creation, avatars, and digital objects are going to be central to how we express ourselves, and this is going to lead to entirely new experiences and economic opportunities.”

Zuckerberg’s next endeavors seek to bring augmented reality to the experience of the glasses allowing you to play games and video chat with someone digital copy. Critics have raised concerns talking about its intrusive video ability which lacks a signal of consent from social cues. A smaller critique of the smart sunglasses was the experience of listening to music felt quite awkward and almost distant from the New York Time article Smart Glasses Made Google Look Dumb. Now Facebook Is Giving Them a Try by Mike Isaac. It will be interesting to see how the smart sunglasses do with the holiday season quickly approaching. 

Facebook and the Whistleblower

https://www.nytimes.com/2021/10/06/podcasts/the-daily/facebook-whistleblower-frances-haugen.html?searchResultPosition=33

Facebook is yet again being tangled into a government and media squabble when a whistleblower based in research, shared her findings that Facebook was trying to keep hidden from the public. Francis Haugen is a data engineer who worked at Facebook from 2019 to 2021. On Tuesday, she testified before a group from the Senate Commerce Committee about how decisions were made at the biggest social media platform in the world. The findings range from many topics but have common themes of misinformation, determinants to our mental health and attention span, and the algorithmic spreading of hate. 

Since the late 2000s when the first social medias were just in their infancy, as a society we noticed a distinct change of not only how we the people manipulate and use these platforms but more importantly how they manipulate us. Fast forward to 2021 where Facebook is on top of the social networking market, having absorbed “Whatsapp” and “Instagram” and most recently “Oculus” an augmented reality company. The United States Government and Federal Trade Commission are now questioning the notion of Facebook being a monopoly. Although they do face competitors like Linkedin, Twitter, Tik Tok, and Youtube even, there is something to be said in owning the most personal of platforms, for people to express who “they are.” as mentioned by the new head of the FTC Lena Khan. With this responsibility and power comes massive control of personal data which is the reason Facebook is getting caught in hot water. 

The data that Francis Haugen and her team of researchers collected highlights that Facebook’s algorithm tees up content for each individual person that keeps their attention and leads us into further filter bubbles of reactive content. Andrew Morass, a New Yorker staff member, described this feature as “meaningful interaction”. He explains that the feed you’re seeing is no longer in chronological order, but teed up in a way that maximizes your engagement with said content, reupdating every few seconds. Morass uses the example of ex-boyfriends’ wedding photos, which make sense if you have been actively looking at that person’s page for the last several months/years. This also happens with opposing political views that are presented to you due to the language of the comment section touching on keywords that have relation to your beliefs and have been shown to get your engagement. Negative reactions create such a back and forth behavior between people that generates even more engagement as more people from opposite sides of the table join in. This has in turn caused a polarization of views on politics, human rights movements, and Covid-19 legitimacy. 

What is even more frightening is what Francis Haugen describes as the “toggling on/off of hate speech” and censored content relating to the election during the end of 2020. Facebook was ordered by government agencies to regulate political speech in terms of misinformation and hate speech due to the problems that were faced in the last election surrounding Russia’s involvement. However, the minute the election was over the censored content settings were toggled off allowing a huge boil over of content that was extremist on both sides of the political coin. On January 6th a vast mob of Trump supporters gathered through the use of social media at the Capitol Building and sought out to overturn the decision of the 2020 election. 

Mark Zuckerberg has denied Facebook responsibility in this situation as well as the accusation brought to the FTC’s attention by Francis Haugen. In the past, he has apologized for the imperfections of the platform and agreed to create teams and initiatives to fix the hate speech on the platform. Haugen teams’ research from just this year found that Facebook only decreased hate speech by 2 percent, and decreased speech surrounding violence and incitement about six-tenths of a percent, despite being “[T]he best in the world at it…”, to quote Mark himself. After the latest round of questioning from the government, Facebook is taking a more defensive approach, saying the claims of Haugen are illogical and are taken out of context to Facebook’s wide portfolio. 

What’s the Solution?

From researchers, media experts, and regular everyday users, the question lingering seems to be how do we fix this problem that seems too far gone? Asking users to stay off a platform when loneliness and the need for information and connection are at an all-time high, seems to be impossible. The next option would be some government agency stepping in to monitor even closer about what people are posting and saying online. This however seems to be an unlikely choice given the constitutional right of our Freedom of Speech given to us by the first amendment. 

We could hope that the FTC sees the true effect social media platforms (specifically Facebook and Instagram) have on our mental health, polarizing political system, and overall literacy communication and decide that the companies need to be broken up. The problem with this notion is that the FTC does not like to break up companies that have no concrete evidence of inflation of prices or monopolizing a single market. 

On paper, the overarching brand of Facebook is not doing either by being a free public platform and not acquiring every social media platform out there. At this point, relying on Mark Zuckerberg to prioritize safety over monetization seems like a stretch given what we know about the Harvard grad and his humble beginnings, hacking Harvard’s class directory just to rate the attractiveness of his female classmates. As a society, we are left to try to make a cultural shift in invoking a sense of reality where we can admit that these platforms are stronger and smarter than our human weaknesses such as jealousy, impulsive anger, and envy to name a few. The citizens of this country need to have more media literacy, creating an all-encompassing curriculum or online resource on how social media platforms started, how they operate and thrive, and what effects they have on our innate human psyche. Considering that in the U.S. we can not even get every state to teach basic human reproductive systems and protection, this type of tech education might be years out.

Did A Chinese Streaming Company Make A Knock Off Squid Game?

https://www.bbc.com/news/world-asia-china-58991127, BCC NEWS

The Chinese streaming company Youku Has recently begun pushing promotional material for its new series “Squid Victory”. The promotional material in question is a poster that looks remarkably similar to the poster for Squid Game. Squid Victory is a variety show In which contestants compete in large-scale childrens’ games. Netizens were quick to chastise the “shameless” Youku for the obvious thievery of intellectual property at play. In response, Youku has issued an apology and alluded to the idea they will change the poster at the heart of this issue stating it is, in their words, just a “draft” poster. Regarding this issue The company also stated:

“Due to a work error, the first draft of the new Game’s Victory show – which was shot down before – was mistakenly used in promotional activities at a trade fair,”

This statement which was written on the Chinese Twitter equivalent “Weibo” was posted alongside a notably distinct poster design for their newly re-titled program “Game’s Victory”. These steps however have done little to quell online outrage.

“It sounds like such a lame cover-up. Obviously, they had tried to rip off Squid Game because of how popular it is,” another Weibo user posted.

 This debacle has brought up the fact that many Asian citizens are “fed up” with how often Chinese producers plagiarize Korean content. Netizens cite the similarities between the South Korean program “Show me the money” and the similar Chinese program “The Rap Of China” as being a particularly egregious example of this trend as well.

“Why can’t our producers come up with our own ideas? This is so embarrassing,” another poster on Weibo commented.

 This all comes as a result of Squid Game’s becoming a nationwide phenomenon in China despite its not officially being released there. As Netflix is not available in China the show has gained a following exclusively through illegal means such as torrenting sites. Youku being one of China’s most popular streaming platforms with between 90 and 100 million active users decided capitalizing on Squid Game’s situation was potentially very profitable. This controversy comes on the heels of a multitude of similar culturally-based arguments that China and Korea have taken part in in recent years. Last year for instance Korea accused China of “stealing culture” when the country stated it “led the kimchi industry”. This controversy was born of The language barrier between the two countries. In China, kimchi is called “pao cai” – this being the same name as a Chinese pickled dish. China was also criticised for stating that the Korean national dress handbook originated there.

To answer the question posed by the title of this article “no”. I’m writing this article because I firmly hold that opinion. I don’t think taking surface-level elements from a popular television program and incorporating them into a show of a completely different genre is as bad as it’s being made out to be. To be clear, I’m glad that the name “Squid Victory” and the poster that represents the centre of the controversy were changed because they were deliberately misleading. I would however like to call into question why the Chinese and Korean governments are bickering like children about cultural stuff?  Lastly, I beg the question, who cares if some Chinese body makes a rip off of a game show or of a drama that can’t legally be accessed in China? If said shows aren’t good enough to stand on their own merits won’t they just be cancelled anyway? Is mimicry not the greatest form of flattery?

NEWS, BBC. “Squid’s Victory? China Streaming Site Accused of Copying Squid Game.” BBC News, BBC, 21 Oct. 2021, https://www.bbc.com/news/world-asia-china-58991127.

Social medias’ uphill battle with eating disorder-related content

Image courtesy of BBC.com/news

In these past couple weeks after whistleblower, Frances Haugen, testified before congress regarding how Facebook’s algorithm has been feeding harmful content and misinformation to the masses, the topic of how social media perpetuates eating disorder-related content has reached the mainstream. Internal documents revealed how Instagram’s algorithm has perpetuated content that is normally associated with the more toxic realm of body, weight, and health related material. This has resulted in “proana” (short for pro-anorexia) as well as other disorder eating related content being exposed to users. This has been incredibly problematic for younger demographics whose sense of self and esteem are so vulnerable.

For many people reading this, this is old news. Content that glamorizes eating disorders have been prevalent on social media platforms long before the birth of Facebook and Instagram. Myspace and Tumblr were especially notorious hotbeds for all things “thinspiration” in the early to mid-2010s. As the years went on, tech companies have been more proactive in taking down profiles and posts that included any keywords associated with eating disorders, while subsequently making sure that anyone who searched up these terms was given direct access to helplines and psychiatric support. Facebook has been slammed in the last month with outrage from a public demanding to know why these algorithms would continue to promote content so dangerous to young people. Is it a shameless cash-grab within the weight loss industry? A miscalculation in a technical code? How could they let this continue to happen? Well, while those questions are still valid to ask, its important to note that identifying harmful content is not as simple as it may seem. In a New York Times article, authors Kate Conger, Kellen Browning and Erin Woo referenced an important quote about this topic:

“Social media in general does not cause an eating disorder. However, it can contribute to an eating disorder,” said Chelsea Kronengold, a spokeswoman for the National Eating Disorders Association. “There are certain posts and certain content that may trigger one person and not another person. From the social media platform’s perspective, how do you moderate that gray area content?”

https://www.nytimes.com/2021/10/22/technology/social-media-eating-disorders.html

From an outsider’s perspective, it may be easy to look at one profile and categorize it as “harmful” while viewing another as “health-related”. However, that perspective can differ drastically depending on the individual. There is a plethora of content that was never intended to be viewed as “proana”, but, unfortunately, is worshipped that way. Think models, influencers, or fitness gurus. How is an algorithm meant to understand what reaction a user will gauge? It becomes even more difficult when we look at how many people use social media as a place to tell their story about their eating disorder recovery. One of the most beautiful aspects of the modern age is how we can use these platforms to connect with other people who are struggling and offer them support. Unfortunately, like influencers, accounts meant to promote recovery can also be viewed in a toxic mentality that further perpetuates disordered thinking. Is Instagram supposed to shut down these survivors’ accounts as well? The accounts that really perpetuate these toxic ideologies are often hard for social media to identify; the hashtags will normally be one letter off from the keyword that would get them shut down, while any wording in posts is carefully crafted as to avoid them as well.

Instagram and Facebook have made a lot of progress in taking these accounts down compared to the past. However, these new reports have also exposed the flaws in their system. They are not without fault, but it is important to remember how difficult paroling this type of evading is on a scale of over a billion users. No one (not just girls) should be exposed to accounts that promote EDs, but for those who wish to seek it out, can always find a way to hide in the shadows. It will be interesting to see how Facebook address this situation, and whether or not they will make changes in their technology and AI to more accurately identify the nature of these accounts. Though, they may want to consider that the best course of action, for vulnerable people to truly avoid coming across these triggers to their mental health, is to denounce their platform; to not assume that everything can be fixed from within, and for once, just suggest that their platform is not suitable for some people to use.

Illinois is the First State to Pass a Media Literacy Bill

Beginning in the fall of 2022, every Illinois student will be undergoing a unit of media literacy in classrooms across the state. Civil rights attorney Maaria Mozafaar was approached by Media Literacy Now to address her concerns and organize them to be proposed to lawmakers. Media Literacy Now is a non-profit devoted to “creating a public education system that ensures all students learn the 21st-century literacy skills they need for health, well-being, economic participation and citizenship.” Illinois State Rep. Elizabeth Hernandez took on the proposition that the two introduced and created House Bill 234.

A recent interview done by NPR illustrates the need for such implementation in the classroom. Peter Medling of WNIJ investigates current tactics in place that are meant to help students identify useful and truthful information. He gathers from the students that many of the methods are seen as dated, and not up to standards in today’s digital world of information overload.

For this to work, teachers also have to be media savvy. Students say they often struggle because the strategies teachers provide for evaluating sources can be outdated. 

https://www.npr.org/2021/08/12/1026993142/illinois-is-the-first-state-to-have-high-schools-teach-news-literacy

The reason why these implementations are so significant today is because of the role that targeted algorithms play in replacing searching for books and articles online. It is a new reality that did not exist less than 15 years ago. This bill is an important step toward making these educational tools and resources publicly available and shaping our future.

Cable News’ Failure to Report on the Fossil Fuel’s Strong Role in Climate Change

The climate crisis has become an increasingly popular mention in news across social platforms such as Twitter as people are looking for answers and solutions. Cable news, however, is covering a different side of the story. Congressional negotiations are underway to slow the impact of climate change. Senator Joe Machin (D-WV) is one of the main people who is standing in the way of passing negotiations and reconciliations. The American public lead to question whether or not Manchin’s main goal is to sabotage clean energy.

The clean energy bill that is being proposed is illustrated by experts as “the backbone of the energy transition”. It allows companies who switch to cleaner sources of energy to be rewarded, and holds those back who do not by fining them. According to Vox, the program would be the most effective way to slash carbon emissions significantly enough to show drastic change. Who would be opposed to such a program?

Senator Joe Manchin speaking to reporters outside the US Capitol on September 20, 2021. (Kevin Dietsch/Getty Images)

As per Media Matters, Mr. Manchin made $491,949 in dividends from his Enersystems stock, according to his Senate financial disclosure report. Manchin has also historically received grand donations to his campaign sourced from Fossil Fuel companies. In the grand scheme of three weeks of news reporting, there were only five mentions of Machin’s associations to the industry among major cable news distributors. This contributes to the larger problem of misinformation at hand.

The role that news plays in our society is significant in that people look to it for updates, statistics, and most importantly, truth. A vast majority of Americans turn to prime-time television for information on what is happening in the world. Cable news’ failure to illustrate the role that Fossil Fuel companies play in slowing down progress against climate change is severely detrimental to our society. Where are people to look when they are interested in finding out how to combat climate change when they are not aware of the source of it all? How are we to hold our news networks responsible for this?

Netflix CEO, Ted Sarandos, stands firm on the decision to stream Dave Chappelle’s new standup special.

Famous comedian, Dave Chappelle, is no stranger to controversy. In fact, it’s to be expected, at this point, for any new stand up special of his to be met with a certain amount of blowback. It has been nearly been two weeks since the release of his new Netflix special, The Closer, and it has already climbed in viewership, currently making it Netflix’s most popular release just below Squid Game.

In the special, Chappelle talks about a variety of controversial issues, but primarily talks about his experience and perspective on the LGBTQ community. To report that his entire rhetoric was an offensive attack would be inaccurate as well as subjective. It is true that he makes a variety of jokes that would be considered taboo in our Western society’s vision of political correctness compliance. However, every joke is accompanied by a message of empathy; in his special, Chappelle stresses the importance of having compassion for your fellow human, and how as a black man, can relate to the struggle of minority groups including the trans community that he pokes fun at. At the end of the special he addresses the LGBTQ community: “I am not telling another joke about you until I am sure that we are both laughing together.”

(Pictured left: Ted Sarandos/ Left: Dave Chappelle) Image courtesy of variety.com/

Whether or not you agree with his message, or consider his comedy valid is completely up to you as the viewer. Comedy, like all forms of art, is subjective. However, many viewers, media outlets, and employees within Netflix found The Closer to not only be of poor taste, but harmful to the progress of the LGBTQ community. As a result, Netflix CEO, Ted Sarandos, put out a memo to his staff, acquired by Variety that read, “you should be aware that some talent may join third parties in asking us to remove the show in the coming days, which we are not going to do.” The memo continued, “As with our other talent, we work hard to support their creative freedom—even though this means there will always be content on Netflix some people believe is harmful.”

While the notion of creative freedom, as well as first amendment rights are typically supported by the general public, the blowback from people who found the Closer offensive, site Netflix allowing Chappelle such a large reaching platform to express these ideologies as the main problem. In a Wired article, Angela Watercutter, stated “The reason a show like The Closer can grab as much attention as a show like Squid Game is simple: People sometimes like content that is harmful to others. Thousands, if not millions, will vote for anti-LGBTQ candidates, and the same amount of them will watch content with similar viewpoints.”

The comparison of The Closer to Squid Game is interesting; sure, they’re both surging in popularity on Netflix, but does that really mean that we’re only watching them to fulfil a desire to see harm come to others? If this was the case, why is there no call to pull the South Korean TV show from the platform? Many would argue that, with Squid Game, there is so much more to flesh out from the narrative and characters; a variety of social political commentary that shines a light on corporate corruption that lives between the lines of these characters’ partaking in gory children’s games. The same could be argued about Dave Chappelle’s special: That within the jokes regarding the LGBTQ community, people of color, women, white people, law enforcement, and all the other people he joked about (including himself in the acknowledgement of his own privilege) there is an accompanying message of unity, humility, harmony, and humanity.